This new version provides the best-ever images from extreme ISO shots and further extends optical fault correction, while increasing both accessibility and productivity.ĭxO Optics Pro 6 will be offered with an exceptional 33% introductory discount through December 31, 2009.
Dxo optics pro 6.0 software#
Previously, the Elite edition was for high-end/pro cameras now both version handle all cameras, but you need the Elite version for the more advanced tools.Novem– DxO Labs is pleased to announce the immediate availability of DxO Optics Pro version 6, its award-winning software solution for demanding photographers. Note that DxO has changed the configuration of its Standard and Elite packages, too. However, it does lack any image cataloguing tools and localised adjustments, so it would never be your one and only image-editing tool. The results from DxO Optics Pro are excellent. The standard noise reduction is impressive enough, but the PRIME process, though slow, can work the most amazing transformations on high ISO images.Ī new ClearView option applies automatic localised contrast enhancement to improve distant landscape scenes and, according to DxO, the program is 1.5x faster to launch and 10x faster at loading files. Other improvementsĭxO has also made its PRIME de-noising process faster. These three programs work really well together. ViewPoint 2.5 offers advanced perspective corrections, while FilmPack 5 replicates the look of classic films, darkroom processes and cheap cameras. FilmPack 5 costs £39.ĭxO's FilmPack 5, bought separately, works as a standalone program and a perfectly-integrated Optics Pro 10 plug-in.ĭxO Optics Pro now integrates directly with DxO's ViewPoint 2.5 and FilmPack 5 programs. But FilmPack 5 does reproduce film 'looks' really well, whether you're going for a technically correct black and white film rendition or a dreamy, retro colour image.
It's quite ironic that DxO should go to such lengths to get 'perfect' renditions from cameras and lenses, and then design a program designed to replicate all the flaws, weaknesses and failings of analog film and old cameras. It means paying another £39, however, to get ViewPoint 2.5. In Optics Pro 10, however, DxO has migrated the geometric (perspective) corrections completely to ViewPoint 2.5. In previous versions of DxO Optics Pro there was considerable crossover between the geometric corrections in Optics Pro and those in ViewPoint. This means you can correct converging verticals in architectural shots, but also fix the distortion that makes people's heads (and other objects) look unnaturally elongated at the edge of the frame in wideangle shots. Perhaps its most interesting feature is its Volume Deformation correction – it fixes wideangle distortion at the edges of the frame to restore correct object proportions.
When used in conjunction with DxO Optics Pro it appears in its own panel in the tools sidebar and extends Optics Pro's geometric perspective and correction tools. ViewPoint 2.5 works both as a standalone program and as a plug-in – and not just for DxO Optics Pro, but for Photoshop and Lightroom too. DxO ViewPoint and FilmPackĭxO makes two other programs – ViewPoint 2.5 and FilmPack – which can now integrate with Optics Pro as plug-ins. It's worth it, though, because DxO Optics Pro's raw conversions are quite superb – the difference in detail rendition and noise control compared to Adobe Camera Raw (supplied with Photoshop CC 2014 and built into Lightroom 5) is immediately obvious.
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